rebecca taylor

If This is a Man 70 years on: AL Kennedy discusses an anniversary reading of the Primo Levi novel

At 3.15 pm on Sunday 30 April a cast of actors, writers and academics amongst others will read from the first page of Primo Levi’s seminal novel If This is a Man. Taking on chunks of the text each to read aloud, they will only stop when they reach the novel’s final page – an estimated six-hour feat. This unique reading is taking place at London’s Southbank Centre to mark 70 years since the publication of Levi’s harrowing account of the year he spent in Auschwitz concentration camp when he was 23 years old.

We spoke to one of the curators of the event, novelist AL Kennedy, about why the book remains so significant today.

When did you first read If This Is A Man? I read If This Is A Man and the Truce (the accompanying volume that describes Levi’s experiences immediately after the liberation of Auschwitz) for the first time when I was a teenager. In the 1970s and 80s you were beginning to see mass representation of the Holocaust on TV so it was a subject that was beginning to make an impact on me.

I was brought up in a nominally Christian family, but my mother who was at teacher’s training college told me stories of a woman she trained with who had escaped from Europe under a train with her husband. It was the first time I had heard of anyone having to do something like that.

I was filled with the inescapable question: how could this have happened? As a teenager the book was one of my principle educational experiences.

Why is it important to read today? The seeds of the event were sewn last year. We had just had the Brexit vote and there was the discussion about EU citizens and their rights. There was a demonisation of foreigners here, and of Muslims in the States, and antisemitism alongside the rise of Donald Trump. The book seemed very prescient.  Levi seemed to be saying that if you ignore the rise of these things the end result could be a prisoner death camp.

How can literature combat these trends? Books are a way to understand people who aren’t you.

Are you worried people might be put off the event because it is so long? It’s a long reading but we wanted to dispel the fear that terrible things will happen if we sit and listen to literature all night!

The further east you go in Europe, the longer the literary events go on, especially in the former Soviet Union countries. There is an understanding that it is a privilege to read literature, there is a hunger for it.  In the past people risked their lives to hear literature. In Britain we take the freedom to read what we want for granted.

Literature balances oppression. We need to be wary as it is rolled back and becomes increasingly commercial. The importance of literature has drifted and we need to ensure that we don’t take it for granted.

By Rebecca Taylor

Photo by Donna-Lisa Healy

Primo Levi's If This is a Man takes place on Sunday 30 April. 3.15pm. £15-£25. Royal Festival Hall, Southbank Centre, SE1 8XX. 0844 875 0073. www.southbankcentre.co.uk

Click here to discover more interviews.

Arnold Wesker tribute: The playwright still packed them in at the Royal Court in an affectionate and celebratory look at his life

jr-arnold_wesker “He shone with the sun”, lilted singer Rosie Archer in a soaring paean that took place as part of many poignant moments during an afternoon of tributes to the playwright Arnold Wesker, who died age 83 on 12 April 2016.

Held at the Royal Court Theatre, Wesker's spiritual home despite the theatre having turned down Chicken Soup with Barley (it premiered in 1958 at Coventry’s Belgrade Theatre), the evening was filled with warm memories of the late playwright from luminaries across the arts world.

Mike Leigh spoke of his delight in his teens at discovering this East End working-class dramatist. “What a hero he was. We sought out his plays and read them avidly,” recalled Leigh, reading from a piece based on an article first published in the July 2016 issue of Jewish Renaissance. Later in the Royal Court’s bar, Leigh told me that he had been approached to participate in the event after Wesker’s wife Dusty had shown the organisers the piece.

David Edgar spoke of Wesker’s groundbreaking representation of “political disillusion”; director Fiona Laird remembered her surprise at finding the playwright “charming,” instead of the curmudgeon she had been led to expect. A frail looking Bernard Kops, one of the last of those ‘angry young men’, recalled Wesker’s desire to broaden the reach of culture with his Centre 42 project.

There were some great performances too: Samantha Spiro’s delivery of Sarah Kahn’s final speech (she played Kahn in the Royal Court’s revival of Chicken Soup in 2011) brought tears to my eyes, although puzzlingly she omitted the ultimate rousing imperative, “You've got to care, you've got to care or you'll die!” Ian McKellen performed an excerpt of Chips with Everything with gusto, and Henry Goodman made a mischievous Shylock in a speech from the 1976 play of the same name. Finally, Jessica Raine, who played Beatie in the Donmar Warehouse’s 2014 production of Roots, movingly reprised that character's astonishing final speech.

And there were surprises: who knew Wesker had written lyrics for a Eurovision Song Contest entry? Sadly, Jonathan King rejected Shone With the Sun as “too classical”, otherwise Britain’s Eurovision history might have told a different story. He had been a talented artist too, said set-designer Pamela Howard, who presented several of his fine ink drawings.

As the audience left, speakers played Aaron Copeland’s Fanfare for the Common Man, a favourite with the playwright, and a reminder of the compassion at the heart of Wesker’s own art.

By Rebecca Taylor

CLICK HERE to read Mike Leigh's tribute to Sir Arnold Wesker from our July 2016 issue

Pioneering Jewish historian David Cesarani passed away aged 58 this week – JR editor Rebecca Taylor recalls their first meeting

David Cesarani 2015 We were so sad to hear of the death of the pioneering historian David Cesarani on October 25. He contributed over the years to Jewish Renaissance, but here JR editor Rebecca Taylor recalls her first meeting with him at the legendary Kosher Luncheon Club in London's East End.

I first met David Cesarani in the late-1980s. I must have been about 20-years-old and was writing my final-year dissertation for my English degree at Cambridge University. I had chosen a geekily obscure area of literature to focus on – a body of work with political leanings that emerged from the Jewish East End in the 1930s. It focused on novels such as Simon Blumenfeld's Jew Boy and William Goldman's East End My Cradle, which grappled with relating the immigrant experience alongside experimenting with the new forms of modernist writing, and pitched all this against a background of political debate about how the 'working class' should best be represented artistically.

David suggested we meet at the Kosher Luncheon Club canteen on Whitechapel's Greatorex Street. With its mix of customers in cloth caps or kippah, brusque waiters and sky blue paper tablecloths, the canteen was an East End institution – and something of an eye-opener for a girl from the deepest depths of south London.

Over plates of fried fish I explained to David what I wanted to explore and he patiently and kindly listened. Already at the forefront of work with the All-Party Parliamentary War Crimes Group that was investigating Nazis who had come to live in the UK, and a leading figure in Holocaust education, he was just about to take up the post of director of the Weiner Library. But he treated my half-formed theories and un-focused questionswith absolute seriousness.

He had already written an insightful essay on the East End background to Blumenfeld's Jew Boy, which had appeared in the London Journal, and he was a wealth of information on the period (his excellent book, The Making of Modern Anglo-Jewry appeared soon after we met), but more than that he encouraged me to interview the writers – Willy Goldman was still alive at that time – and speak to others such as the historian Professor Bill Fishman who had also lived the period. He was generous with his ideas and contacts, afterwards sending memos and notes with follow up information. Looking through my old college folders recently I found a detailed list that David had carefully written up for me of books and archives that I should pursue, as well as contacts for historians such as Ken Worpole and Brian Cheyette.

And arranging the meeting in the canteen was genius – the perfect antidote to long days of locking myself away in the university library, picking through treatise on social realism in yellowing 1930s copies of the Left Review. Like all the best historians, David knew how to bring the past to life – and just in time – the canteen closed down a few years after our fried fish meal.

I only encountered David again years later when I became involved in JR in 2014. He had written for the magazine on a number of occasions on subjects such as funding for Jewish studies, and the Jewish involvement in World War I. But he was one of the first people I commissioned for the magazine, when I asked him to write about the rise of the far right in Europe in 2014. As ever he was the voice of reason and rationality, refusing to take the knee-jerk reaction that European antisemitism was unequivocally on the rise.

His last piece for us was an eloquent and affectionate obituary in April's issue following the death of Bill Fishman. I never imagined that I would soon be writing one for David. He will be sadly missed by the Jewish community and far beyond.

By Rebecca Taylor

You can read more about the life and work of David Cesarani on The JC, Guardian and Forward websites.

New issue out now! It's that time again, and this month we've got politics on the brain…

JR cover V14-3 April 2015 With the General Election now officially underway, we have politics on our minds – in all its forms – for our April issue. From the revolutionary Yiddish poets who fired up the streets of East London, to the current crop of social activists who are committed to making the world a better place today. As our pieces show, there is an irrevocable link between Jews and political activism.

We also have an essay on Jewish voting patterns by Geoffrey Alderman; a discussion on the ethics of the ‘right to offend’ by Brian Klug, and a personal reflection by associate Times editor Daniel Finkelstein on whether being Jewish really matters when it comes to casting your vote. There’s a piece from Paris three months after the terrorist attacks there by a former Le Monde senior editor, Sylvain Cypel, and a piece by Dan Carrier about his great uncle Nat – one of the first English speakers to fire a shot in the Spanish Civil War. But if you’ve had enough of politics (already!) don’t despair, there’s plenty to keep you reading.

We’re celebrating two centenaries: one with the chair of the Ben Uri museum, David Glasser, who tells us how he rose from the mean streets of Glasgow to head one of the most exciting art venues in Europe; and on the eve of the Arthur Miller centenary, we’re asking why are there no Jews in the plays of one of the 20th-century's greatest Jewish playwrights? There’s also klezmer from Leeds boys Tantz, an interview with new Israeli novelist Ayelet Gundar-Goshen and a report from the place to be on a Tuesday night in Manchester: the Menorah Film Club. Plus three month’s of cultural listings for the UK and abroad. With all that going on – don’t forget to vote!

By Rebecca Taylor

Violinist Irmina Trynkos dazzles at the second JR salon

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

A packed crowd of around 60 people attended the second JR salon event this week at Lauderdale House in Highgate. They were there to hear the virtuoso talents of violinist Irmina Trynkos, as well as the sparkling sounds of pianist Marco Fatichenti. And they weren’t disappointed.

Dressed in a jewelled, emerald green evening gown, Irmina treated the audience to a programme full of energy and passion. Irmina opened proceedings with the sweeping Sonata for Violin and Piano in D Minor No.3 Op.108, by Johannes Brahms, followed by a piece by the relatively unknown Polish-German Jewish composer Ignatz Waghalter – his Sonata for Violin and Piano in F Minor Op.5.

Ernest Bloch’s Baal Shem Nigun and George Gershwin’s sprightly Prelude No.1 followed, as well as the theme by John Williams from Shindler’s List, which Irmina played in melancholy and moving style. The concert ended with the quirky gypsy sounds of Maurice Ravel’s Tzigane, played with terrific speed and verve by both violinist and pianist.

The music was interspersed with some background to the composers provided by the warm and engaging broadcaster Rodney Greenberg, who was the presenter for the evening. He and Irmina took time to discuss Waghalter's farewell – and return – to Germany, his fall from the public consciousness and how he made the wrong move of staying in New York rather than LA, as he might have better developed his career in Hollywood. She has taken on the task of reviving his little known works, along with other ‘forgotten’ composers.

The music was followed by drinks and canapés. The elegant, yet intimate, surrounds of Lauderdale House provided the perfect backdrop for the event and we hope to continue our salon series soon.

To find out more about Irmina Trynkos, read our article about her.

By Rebecca Taylor

Photos © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

JR Salon, 10/03/14 © Charlotte Mayhew

Visit facebook.com/JewishRenaissance for more photos.

JR at Jewish Book Week: Robin Renwick discusses the subject of his latest book, anti-apartheid campaigner Helen Suzman

Helen Suzman, from JR issue V14-2

Helen Suzman, from JR issue V14-2

This coming Tuesday 24 February Jewish Renaissance's editor Rebecca Taylor will be hosting a special event as part of Jewish Book Week. Taking place at London Jewish Museum, the afternoon will centre around the South African anti-apartheid campaigner Helen Suzman (pictured above visiting Meadowlands high school, Soweto in 1977).

In the darkest days of apartheid Helen stood alone in parliament, confronted by a legion of (mostly) chauvinist male politicians. Despite constant antagonism and threats of violence, she forced into the global spotlight the injustices of the country's minority rule.

Rebecca will be speaking to Robin Renwick, a former ambassador to South Africa, and author of Bright Star in a Dark Chamber, which tells the story of Helen Suzman (you can also read Rebecca's interview with Robin Renwick in the current issue of JR magazine).

Helen's daughter, Frances Jowell, and niece, the actor Janet Suzman will also be speaking. But you need to be quick – there's not long left to get tickets and they're selling fast!

The event, also titled Bright Star in a Dark Chamber, is on Tuesday 24 February. 1-2pm. £6.50. Jewish Museum, 129-131 Albert St, NW1 7NB; 020 7284 7384. www.jewishbookweek.com

To book tickets, email info@jewishbookweek.com or phone 020 7446 8771. Alternatively you can pick up tickets at the venue on the day.

JR's Rebecca Taylor talks Tehran, Shmita and the fall of the Berlin Wall with Jon Kaye on Sunday Jewish Radio

This week Jewish Renaissance editor Rebecca Taylor spoke to Jon Kaye at Sunday Jewish Radio. The station, which is based at Jewish Care in Golders Green, London, broadcasts interviews and conversations on a range of topics and airs – you guessed it – on Sundays! Rebecca told Jon about why she left mainstream journalism for a Jewish magazine and talked about her own Jewish identity, as well as some of the stories in the current issue of JR. Such as Jewish Tehran, why Shmita is becoming a hip commandment, and what has happened to the German Jewish community since the fall of the Berlin wall. You can listen to the interview above.

To find out more about Sunday Jewish Radio, visit their website.

Salon success! Find out how Howard Jacobson and more dazzled at the first ever JR reception

Howard Johnson and Janet Suzman at JR Salon, Jan 2015 © Charlotte Mayhew

Howard Johnson and Janet Suzman at JR Salon, Jan 2015 © Charlotte Mayhew

We enjoyed our first Jewish Renaissance salon on Sunday 18 January as much as we hope all of you did. This exclusive event for our subscribers was held at Lord and Lady Lipworth's house in St John's Wood and featured Howard Jacobson in conversation with Janet Suzman (pictured above), with a performance by virtuoso violinist Irmina Trynkos.

The music was fabulous, the conversation, which veered from why there is no British Sienfeld, to Howard's typically eccentric interpretation of the Ten Commandments, was pithy and frequently hilarious, and the canapés were addictive. It was a fantastically positive start to our newly energised magazine and our fundraising drive.

We want to say a big thank you to everyone who took part and helped, and to all of you who came and supported us. See our pictures below for a hint at how it went (more can be found on the JR Facebook page).

Our next salon features a full concert with the wonderful Irmina Trynkos, who'll be playing from a repertoire including Brahms, Waghalter, Gershwin and Bloch. This will be on Tuesday 10 March, 7pm at Lauderdale House, Waterlow Park, N6 5HG. Tickets cost £35 (£25 for subscribers) and can be purchased by clicking here.

By Rebecca Taylor

Photos © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew

JR Salon, Jan 2015 © Charlotte Mayhew