In conversation: Katy Lipson

"I’ve just got energy and passion. And you’ve got to have business acumen"

Busy theatre producer Katy Lipson divides her time between Manchester’s Hope Mill Theatre and a raft of venues in London and across the UK. Her production company, Aria Entertainment, has two stellar shows transferring from Manchester to London (and other UK venues) this January, but she took some time out tell us about her life, work and forthcoming productions. Rags the Musical – with lyrics by Stephen Schwartz (Wicked), music by Charles Strouse (Annie) and book by Joseph Stein (Fiddler) – follows Jewish immigrants working every hour G-d gives them to build a new life in turn-of-the-century America, while Mame (music and lyrics by the great Jerry Herman*), a show replete with glitz and glamour despite its Depression setting, tells of the eccentric bohemian of the title, who steps up to care for her orphaned nephew.

By Judi Herman

Rags the Musical runs Thursday 9 January – Saturday 8 February**. 7.30pm, 3pm (Thu & Sat only). £18.50-£32.50, £16.50-£23.50 concs, £15-£20 under-16s. Park Theatre, N4 3JP. 020 7870 6876. www.parktheatre.co.uk

**On Sunday 19 January there will be a gala fundraiser: The Spark of Creation. This includes a panel discussion and Q&A, featuring Stephen Schwartz. 7.30pm. £60-£65. All proceeds go towards Rags the Musical.

Mame: Life’s a Banquet runs Tuesday 7 – Saturday 11 January. 7.45pm, 2.30pm (Thu & Sat only). £24-£40. Royal & Derngate, Northampton, NN1 1DP. www.royalandderngate.co.uk

Tuesday 21 – Saturday 25 January. 7.30pm, 2.15pm (Thu & Sat only). £14-£30. Salisbury Playhouse, SP2 7RA. www.wiltshirecreative.co.uk

*On 26 December 2019, Jerry Herman sadly passed away. Read Judi Herman’s tribute to the great composer and lyricist on the JR blog.

Behind the scenes: First Encounters – Merchant of Venice

"Would Shylock have gone through with the court, had Jessica returned? Absolutely not!"

In an exciting production from Director Robin Belfield, theatregoers as young as primary school age are being introduced to the Bard in an engaging, thought-provoking and funny new way. The Royal Shakespeare Company is currently touring Belfield's 90-minute adaptation of the Merchant of Venice, which involves audience participation, student actors playing Jessica and Lorenzo and a woman in the role of Shylock. Judi Herman captures the essence of the show in her latest podcast, which features music from the production, verdicts from young members of the audience, and an interview with Israeli actor Shani Erez, who plays Shylock as a dignified businesswoman and single mother.

Photo by Sam Allard

First Encounters: Merchant of Venice tours until Saturday 16 November, visiting Cornwall (29-30 Oct), Devon (31 Oct), Kent (2 Nov), Yorkshire (5-8 Nov) and Nottingham (15-16 Nov). See the JR listings for info or visit www.rsc.org.uk; and read our five-star review of the show on the JR blog.

In conversation: Stav Meishar

Find out how a wartime story of courage and daring, which saved a dynasty of Jewish circus artists, made it to the stage

Israeli writer, educator and theatre artist Stav Meishar is currently performing her one-woman show, The Escape Act, based on a true wartime survival tale. Speaking to JR's Arts Editor Judi Herman, she explains how she discovered the story of Irene Danner-Storm, a Jewish circus performer who survived World War II thanks to the generosity of non-Jews Adolf and Maria Althoff, who hid her in their circus. Danner-Storm was a member of the Lorch family, a German Jewish circus dynasty founded in the 19th century, and not only survived by joining the Althoff Circus, but found love too. In this podcast, Meishar talks about her research and how the resulting show is now part of a whole Holocaust learning experience, which also includes lectures, workshops and an exhibition. She also reveals how she met up with nonagenarian Momo, the Moroccan acrobat who was inseparable from Danner-Storm and her Christian lover Peter the Clown, in a heartwarming story of inclusivity in defiance of the Nazis.

Photo by Kati Rapia

The Escape Act is currently touring:
Saturday 26 & Sunday 27 October. 8pm. £10. CircusMASH, Birmingham, B14 7RA. www.brownpapertickets.com
Tuesday 29 October. 8pm. £12, £10 concs. The Lowry, Salford, M50 3AZ. https://thelowry.com
Sunday 22 – Thursday 26 December. Limmud Festival, Hilton Birmingham Metropole, B40 1PP. https://limmud.org/festival

In conversation: Isaac Gryn

The Oklahoma! musical star talks legends, legacies and lassoing

© Johan Persson

Fresh out of drama school, actor Isaac Gryn (pictured centre) is currently starring in Rodgers and Hammerstein’s first hit musical Oklahoma! in the all-singing all-dancing role of Will Parker, rodeo lassoing champ and ardent suitor of flirty Ado Annie, the ‘Girl Who Can’t Say No’. As you might guess from his surname, Isaac is the grandson of the late, great Rabbi Hugo Gryn, Holocaust survivor and for decades the go-to media rabbi, with regular appearances on BBC Radio and deservedly much loved by folk of all faiths and none. Gryn has clearly inherited his grandfather’s warmth and charisma. It comes over in his terrific high energy performance, though whether Rabbi Gryn counted lassoing among his skills remains a secret. Here Gryn speaks to JR’s Arts Editor Judi Herman about the show, its creators and learning to lasso, as well as his faith, family and the legacy of his grandfather.

Oklahoma! runs until Saturday 7 September. 7.30pm, 2.30pm (Wed & Sat only, plus some Thu). £10-£55. Chichester Festival Theatre, West Sussex, PO19 7LY. 01243 781 312. www.cft.org.uk

Read our review of Oklahoma! on the JR blog.

In conversation: James Phillips

Get a behind-the-scenes look at The Rubenstein Kiss courtesy of the playwright

Playwright James Phillips talks to Judi Herman about the award-winning Rubenstein Kiss. Inspired by the haunting true story of Ethel and Julius Rosenberg, who were executed in 1953 for allegedly providing atomic secrets to the Soviet Union, Phillips tells their story. The Rubensteins are a deeply devoted Jewish couple, whose Communist idealism leads to their world being torn apart by suspicion and treachery, which then echoes through the generations.

The Rubenstein Kiss runs until Saturday 13 April. 7.30pm, 3pm (Sat & Tue only). £22, £18 concs. Southwark Playhouse, SE1 6BD. 020 7407 0234. http://southwarkplayhouse.co.uk

Read our review of The Rubenstein Kiss on the JR blog.

In conversation: Aaron Gelkoff and Sue Kelvin

Meet two stars from the award-winning musical Caroline, Or Change

Aaron Gelkoff (photo by Craig Topham) and Sue Kelvin

Caroline, Or Change, the multi-award-winning musical by Tony Kushner and Jeanine Tesori, draws on Kushner’s Deep South Jewish childhood to tell its tale of changing times in 60s America. The action takes place at Chanukah in 1962, as shockwaves from the assassination of JFK on 22 November rock America and the world. Aaron Gelkoff plays Noah Gellman, a nine-year-old Jewish boy whose relationship with his family’s black maid Caroline (played by Sharon D Clarke**) consoles him more than his stepmother ever can after the death of his mother. Sue Kelvin plays the doting Grandma, mother of the boy’s bereaved father. Judi Herman caught up with both actors to discuss their preparations for the roles; the experience of black and Jewish minorities in 60s Louisiana and how it chimes with our current uneasy times of racism and antisemitism; and what it takes to be a star in musical theatre today – both upcoming and experienced.

Caroline, Or Change runs until Saturday 6 April. 7.30pm (Mon-Sat), 2.30pm (Thu & Sat only). From £20*. Playhouse Theatre, WC2N 5DE. 084 4871 7631. www.carolineorchange.co.uk

*A limited number of £5 tickets are available to ages 16-25 on the day of performance and in person from the Playhouse Theatre box office. There is also an offer on that allows anyone named Caroline a free ticket when also purchasing another paying ticket. ‘Carolines Go Free’ is an exclusive offer available via the box office in person or by phone.

**Note that Sharon D Clarke will not be appearing on Monday evenings 7 Jan to 1 Mar.

Read our five-star review of Caroline, Or Change on the JR blog.

In conversation: Rabbi Leivi Sudak

Discover the extraordinary real life story behind the Tony Award-winning musical Come From Away

From the Canadian Jewish writing team Irene Sankoff and David Hein, Come From Away tells the incredible true story of how the residents of Gander, Newfoundland, welcomed the passengers of planes from around the world grounded by the 9/11 attacks, including a stranded rabbi from London. As the show arrives in London via Dublin this January, the real life rabbi – Leivi Sudak of Edgware Lubavitch – tells Judi Herman the full story of the welcome with which he was blessed in Gander, and the support he in turn was able to bring to other passengers and to a Holocaust survivor who had made his home in Gander.

His story is in two parts and both share wonderful instances of the kindness of Gander’s residents. The first ends on a bit of a cliff hanger, while in the second listeners will find out how a fellow passenger, an Israeli Jewish Buddhist, ended up peeling potatoes with Rabbi Sudak to help prepare a Shabbat meal. Discover kosher wine in a Gander supermarket, hear the remarkable story of that Holocaust survivor, and the nail-biting story of how Rabbi Sudak made New York in time for Rosh Hashanah thanks to a 500-mile dash by an extraordinary Gander couple.

Come From Away runs Wednesday 30 January – Saturday 14 September. 7.30pm, 2.30pm (Wed & Sat only). From £19.50. Phoenix Theatre, WC2H 0JP. https://comefromawaylondon.co.uk

Read our review of Come From Away on the JR blog.

In conversation: Richard Kalinoski

The American playwright discusses his play Beast on the Moon

Speaking from his Milwaukee home, Richard Kalinoski talks to Judi Herman about his play, Beast on the Moon, which comes to London’s Finborough Theatre at the end of January. Set in 1920s Milwaukee, his story follows the fate of an ill-matched couple, Aram and Seta. The immigrant refugees are thrown together in the aftermath of the Armenian massacre, trying to rebuild their lives, which is eventually made possible thanks to a youngster from the Italian community.

Beast on the Moon runs Tuesday 29 January – Saturday 23 February. 7.30pm, 3pm (Sat & Sun only). £18-£20, £16-£18 concs. Finborough Theatre, SW10 9ED. 012 2335 7851. www.finboroughtheatre.co.uk

Read our review of Beast on the Moon on the JR blog.

In conversation: Alexander Bodin Saphir

The writer and filmmaker talks about his debut play Rosenbaum’s Rescue

The grandparents of Alexander Bodin Saphir were among 7,000 Danish Jews who were saved from the Nazis in October 1943 and this daring episode is the subject of his new play, Rosenbaum’s Rescue. Ahead of its premiere at London’s Park Theatre, and our article about the play and its very personal story in the January issue of JR, Alexander met up with Judi Herman during Chanukah, when he told her more about his own background and how the story of the play – part of which takes place during Chanukah – is relevant to the festival’s message of defiance and freedom.

Rosenbaum’s Rescue runs Wednesday 9 January to Saturday 9 February 7.30pm, 3pm (Thu & Sat only). £18.50-£32.50, £16.50- £23.50 concs. Park Theatre, N4 3JP. 020 7870 6876. www.parktheatre.co.uk

Read our four-star review of Rosenbaum’s Rescue on the JR blog.

In conversation: Henry Naylor

The award-winning playwright discusses his double bill about the Syrian conflict and 1936 Munich Olympics

Borders/Games is the new double bill from playwright Henry Naylor, currently playing at London’s Arcola theatre. Borders, he explains, is “the story of the 21st century in 70 minutes – 9/11, bombs, Bono and Bin Laden”. While Games, set in Berlin, 1936, is about “Europe fracturing, antisemitism rising and right-wing populism surging”. Judi Herman, an old friend of Naylor’s from the days when both of them contributed to BBC Radio 4’s topical comedy show Week Ending, caught up with him to discuss his move from comedy to drama. Find out how he was inspired, for his most recent plays, to write about the plight of a contemporary Syrian graffiti artist struggling to use her art to bring down the Assad regime. He pairs her story with that of two promising German Jewish women athletes, who faced horrific prejudice in their bid to compete for their country in the 1936 Olympics.

Photo by Rosalind Furlong

Borders/Games runs until Friday 21 December. 7pm (Mon-Sat), 2.30pm (Sat). £10-£22 (per play). Arcola Theatre, E8 3DL. 020 7503 1646. www.arcolatheatre.com

Read our review of the double bill on the JR blog.