“When I founded Jewish Renaissance in 2001 I was told it wouldn’t last two issues, let alone two years, but we are still here, for some years the most widely read Jewish cultural magazine in the UK.
Before the first issue came together I was running my own market research consultancy. That’s when the seed of an idea for a new magazine had been planted. The Jewish Chronicle had been one of my research clients so I knew a fair bit about the needs of Jewish readers, and knew of the gap in the market among those who, like me, wanted to keep in touch with their Jewish identity but could not find a Jewish periodical that chimed in with their world view. Some 25 years before, while my children were young, I had been involved in founding and editing the newsletter of my local Community Association in Barnes and enjoyed the challenge of finding the exciting in the unexceptional. So, having got disillusioned with helping my then financial sector market research clients, and having built up sufficient pension to take early retirement, at the age of 58 I decided to start on a new career.


I shared the idea of a new cultural publication with my book club at Wimbledon Synagogue and it was met with enthusiasm. In the synagogue newsletter I invited those interested to a meeting, but as the date neared, and having been frightened by reading a tome on all that was involved in publishing a magazine, I began having second thoughts. I was hoping no one would turn up, but thankfully two people did. They had been involved with Second Generation, a magazine run by volunteers, and convinced me that we could work on similar lines.

On the cusp of 2001 I invited former boss, and friend, Lionel Gordon – previously chairman of the JC – to be chairman of JR and we recruited a management committee. Members of the book club helped decide on the content of the magazine, Irene Wise, who was to be our first designer, mocking up a cover. We presented the magazine at South London Limmud Day, showing our draft launch issue cover and contents page. The reactions were positive, especially for ‘The Jews of Iraq’ feature. Most importantly, perhaps, we recruited additional members there, including a magazine publisher.

Another finding of our Limmud research was that we needed known names to back the venture so I set out to recruit. One august institution advised me not to go ahead – I would do more harm than good to the Jewish community by starting a magazine which would, undoubtedly, fail after a few issues! Thankfully my next appointment was with Jewish Music Institute’s director, Geraldine Auerbach who, after some constructive grilling, agreed to help JR. Once she and Clive Lawton, then Limmud Director, were on board, other leaders of UK cultural institutions, including David Glasser of Ben Uri and Rickie Burman of the Jewish Museum, agreed to join them on our Editorial Advisory Board, as well as cultural icons such as Maureen Lipman and Arnold Wesker.

The EAB members also helped hugely in distributing 70,000 flyers and soon subscriptions began rolling in. Initially the magazine was to be 40 pages long, but Naim Dangoor, head of the Iraqi Community, offered £2,000 if we promised to cover the Jews of Iraq in 10 full pages. And so we did, thus cementing the first in our successful Passport series, which now ranges from Brighton to Brazil, from Manchester to Morocco.

By the time the magazine hit 13 and had its bar mitzvah, I was beginning to crave more personal time to spend with family and friends. So in 2014 a new team was brought onboard, led by Time Out Magazine’s former news editor Rebecca Taylor. JR underwent a major transformation; the print edition was increased to 64 pages and completely redesigned, followed by an overhaul of the website. The results are better than I could have hoped for and I’m confident will put paid to the claim that ‘print is dead’.”